Latest Press

Each year, Bard on the Beach welcomes almost a hundred new and returning Company members to our rehearsal halls and stages. Last week, we introduced our New to Bard series, which highlights some of the artists who are making their Bard debuts this Season. If you missed last week’s post, you can read more about the Acting Company here.

This week, we’re thrilled to be turning the spotlight onto our talented creative team. Learn more about some of the new faces in our creative team who are helping to bring our productions to life!

Dana Gee for the Vancouver Sun

Publishing date: Jul 29, 2022

On-set support a growing field, helping actors throw back the covers in intimate scenes

Love scenes are not that lovely for actors.

It’s the job of the intimacy co-ordinator to make those manufactured moments less nerve-wracking — and to ensure the safety of the performers.

As "an actor's advocate," intimacy coordinators help with intimate scenes on set. They also do so much more, including supporting young performers and babies and answering questions from families.

Before intimacy coordinators were an official title, parts of the work was often done by a combination of the wardrobe department, directors, and even stunt coordinators.

Last month, four B.C.-based intimacy coordinators made SAG-AFTRA's intimacy coordinator registry for film and television.

“You’ve come to the right place. Exactly where you are…. So c’mon.” – Episode 0, Would You Wander

Yesterday I went on a stroll by the river. And there was a friendly voice in my ear.

The Blue Hour, SkirtsAfire’s main stage production for 2020, is notable for bringing an emerging job description to a theatre stage in Edmonton.

The job is that of intimacy director (also known as intimacy coordinator, particularly in film and television). The position — which has gained prominence since the #MeToo movement — sees trained professionals ensuring that scenes involving nudity or sex, or other forms of touching, are done following rules of communication and conduct to ensure the safety and comfort of performers.

As cliché as it is to say, you will never experience another performance like StoneMarrow Theatre’s interpretation of Crave. This play will make you question your own understanding of memory, depression, desire, love, failure—there aren’t enough nouns in the human language. This play is all dialogue and physical movement and watching it is like playing a game of emotional squash—with all the screaming, sweating, and bodily contortions you can imagine.