News & Press

“Excellent work is put in by Samantha Jeffery … succeeds with giving real heart”

Colin MacLean for Gig City, on After Miss Julie [Lodestar Theatre]

“It’s a disorienting, visceral and immersive stream of consciousness experience, made even more powerful by this quartet of performers. They’ve mastered the script…”

Mel Priestley, on Crave [Stonemarrow Theatre]

“Stand-outs are Sam Jeffery as Macduff... The fighting, though… it’s visceral and wild”

Liz Nicholls for 12th Night, on Macbeth [The Malachites]

Intimacy Sam Jeffery Intimacy Sam Jeffery

'Reel sex isn't real sex': Why intimacy coordinators are needed for film and TV

As "an actor's advocate," intimacy coordinators help with intimate scenes on set. They also do so much more, including supporting young performers and babies and answering questions from families.

Before intimacy coordinators were an official title, parts of the work was often done by a combination of the wardrobe department, directors, and even stunt coordinators.

Last month, four B.C.-based intimacy coordinators made SAG-AFTRA's intimacy coordinator registry for film and television.

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Special director in The Blue Hour on hand to manage intimacy between characters

The Blue Hour, SkirtsAfire’s main stage production for 2020, is notable for bringing an emerging job description to a theatre stage in Edmonton.

The job is that of intimacy director (also known as intimacy coordinator, particularly in film and television). The position — which has gained prominence since the #MeToo movement — sees trained professionals ensuring that scenes involving nudity or sex, or other forms of touching, are done following rules of communication and conduct to ensure the safety and comfort of performers.

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CBC - Choreographing intimacy: Meet the Edmonton woman who stages sex

Sharing a first kiss with a stranger can be unnerving. Sharing that kiss in front of a captive audience can be truly daunting.

For decades, theatre and film scenes involving sex or intimacy were staged by directors with little experience in establishing safe boundaries for the performers. Or actors were left to their own devices.

Now there is a new player behind the scenes.

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